Remember the Bossa Nova? New abstract painting.

abstract art, modern art, painting, Jane Robinson, abstract moxy, art,
abstract art, modern art, painting, Jane Robinson, abstract moxy, art,
Title: Inner Bossa

Do you remember the Bossa Nova?   This new painting was inspired by the cool jazz sound of the Bossa Nova.  It measures 30X40X1.5 and ready to hang.  $1,100.

Bossa nova is a genre of Brazilian music, which developed and was popularized in the 1950s and ’60s and is today one of the best-known Brazilian music genres abroad. The phrase bossa nova means literally “new trend” (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ]). A lyrical fusion of samba and jazz, bossa nova acquired a large following in the 1960s, initially among young musicians and college students.[2]

In Brazil, the word “bossa” is old-fashioned slang for something that is done with particular charm, natural flair or innate ability. As early as 1932, Noel Rosa used the word in a samba:

“O samba, a prontidão e outras bossas são nossas coisas, são coisas nossas.” (“The samba, the readiness and other bossas are our things, are things from us.”)

The exact origin of the term “bossa nova” still remains uncertain. Within the artistic beach culture of the late 1950s in Rio de Janeiro, the term “bossa” was used to refer to any new “trend” or “fashionable wave”. In his book Bossa Nova, Brazilian author Ruy Castro asserts that “bossa” was already in use in the 1950s by musicians as a word to characterize someone’s knack for playing or singing idiosyncratically.[3] Castro claims that the term “bossa nova” might have first been used in public for a concert given in 1958 by the Grupo Universitário Hebraico do Brasil (University Hebrew Group of Brazil). This group consisted of Sylvinha Telles, Carlinhos Lyra, Nara Leão, Luizinho Eça, Roberto Menescal, et al. In 1959, Nara Leão also participated in more than one embryonic display of bossa nova. This included the 1st Festival de Samba Session, conducted by the PUC’s (Pontifícia Universidade Católica) student union. This session was then chaired by Carlos Diegues, a law student that Leão ultimately married.[4]

Instruments[edit]

Classical guitar[edit]

Bossa nova is most commonly performed on the nylon-string classical guitar, played with the fingers rather than with a pick. Its purest form could be considered unaccompanied guitar with vocals, as created, pioneered, and exemplified by João Gilberto. Even in larger, jazz-like arrangements for groups, there is almost always a guitar that plays the underlying rhythm. Gilberto basically took one of the several rhythmic layers from a samba ensemble, specifically the tamborim, and applied it to the picking hand. According to Brazilian musician Paulo Bitencourt, João Gilberto, known for his eccentricity and obsessed by the idea of finding a new way of playing the guitar, often locked himself in the bathroom, where he played one and the same chord for many hours in a row.[5]

Drums & percussion[edit]

As in samba, the surdo plays a sort of “heartbeat” rhythm on beat one, the “and” of beat two, beat three, and the “and” of beat four. The clave pattern sounds very similar to the two-three or three-two son clave of Cuban styles such as mambo but is dissimilar in that the “two” side of the clave is pushed by an eighth note. Also important in the percussion section for bossa nova are the pandeiro—played on beats two and four—and the cabasa, which plays a steady eighth-note or sixteenth-note pattern.

Structure[edit]

Certain other instrumentations and vocals are also part of the structure of bossa nova:

Bossa nova and samba[edit]

Bossa nova has at its core a rhythm based on samba. Samba combines the rhythmic patterns and feel originating in former African slave communities. Samba’s emphasis on the second beat carries through to bossa nova (to the degree that it is often notated in 2/4 time). However, unlike samba, bossa nova doesn’t have dance steps to accompany it.[6] When played on the guitar, in a simple one-bar pattern, the thumb plays the bass notes on 1 and 2, while the fingers pluck the chords in unison on the two eighth notes of beat one, followed by the second sixteenth note of beat two. Two-measure patterns usually contain a syncopation into the second measure. Overall, the rhythm has a “swaying” feel rather than the “swinging” feel of jazz. As bossa nova composer Carlos Lyra describes it in his song “Influência do Jazz”, the samba rhythm moves “side to side” while jazz moves “front to back”. Bossa nova was also influenced by the blues, but because the most famous bossa novas lack the 12-bar structure characteristic of classic blues, as well as the statement, repetition and rhyming resolution of lyrics typical of the genre, bossa nova’s affinity with the blues often passes unnoticed.[7]

Vocals[edit]

Aside from the guitar style, João Gilberto’s other innovation was the projection of the singing voice. Prior to bossa nova, Brazilian singers employed brassy, almost operatic styles. Now, the characteristic nasal vocal production of bossa nova is a peculiar trait of the caboclo folk tradition of north-eastern Brazil.[8][9]

Themes and lyrics[edit]

The lyrical themes found in bossa nova include women, love, longing, homesickness, nature, and the best of youth. There are two thematic types of bossa nova: the early bossa nova (beginning in the late 1950s), and the bossa nova after the coup d’état of 1964. The musical lyrics of the late 1950s depicted the easy life of the middle to upper-class Brazilians, though the majority of the population was in the working class. However, in conjunction with political developments of the early 1960s (especially the 1964 coup d’état), bossa nova style became more “angry”, with lyrics becoming more thematically charged, referring explicitly to people’s struggles and liberty.[10]

Jane Robinson featured in the Detroit Free Press – Ann Arbor Art Fair

Artist, abstract art, Abstract moxy
Mark Stryker, Detroit Free Press 12:09 a.m. EDT July 15, 2015 http://www.freep.com/story/entertainment/arts/2015/07/15/ann-arbor-art-fair/30145735/

 

Every imaginable medium of art is on display at the Ann Arbor Art Fair that opens today — prints, drawings, photographs, sculpture fiber works, ceramics, jewelry, wood, glass, leather, mixed media, digital and craftwork. Let’s see, what else? Oh, yeah:

Painting.

With the work of more than 1,000 artists on display at the fair, which runs through Saturday, it’s a little surprising that just about 13% of the artists — roughly 130 — are working in the fundamental medium of painting. The good news for those who love the thrill of paint, especially oils or acrylics on a support base like canvas, is that the fair boasts enough work in all manner of figurative and abstract styles for folks to get their fill. You just have to be patient.

Related: Guide to summer art fairs in southeast Michigan

“It’s true that you do have to search a little bit, but I don’t feel lonely,” said Jane Robinson, an abstract painter who lives and works in Jackson. “It’s perfectly fine that people come to the fair looking for $50 earrings, but those who are interested in original paintings will find me. They’ll spot me from four or five booths away.”

Now in its 56th year, the Ann Arbor Art Fair is one of the oldest and largest events of its kind in the country. It is actually four independent fairs that merge into a single organism, while each individual fair retains a unique character based on geography, art, prices, mission, history and surrounding businesses.

The highest concentration of quality work — especially painting — can be found at the Ann Arbor Street Art Fair, the Original, and at Ann Arbor’s South University Art Fair.

Andy Fletcher, who lives in Wisconsin on the Mississippi River, will be showing his paintings at the Ann Arbor Street Art Fair. He does mostly landscapes, creating soft-focused, moody pictures of broad, rural horizons, quiet farmhouses and subtle forms. The size of his work ranges from 7-by-10 inches up to 30-by-50 inches, with prices from about $250 to $2,500.

“Painting helps me make sense of the world,” said Fletcher, 37. “It captures who I am more than anything else.”

Related: Nick Cave Soundsuits invade Cranbrook — and Detroit

Of course, many artists would say something similar about their favorite medium, whatever it may be. Still, there is something magical about the emotional impact of paint on canvas — the depth and nuance of expression that a loaded brush can convey, the power of color, the physical immediacy of a great painting and the incomparable tradition and history of the medium dating back thousands of years.

“Things happen more slowly when I paint,” said Fletcher. “It’s very personal and meditative. I remember my emotional reactions to things, and where I come from and who I am — it all shows up in the decisions of what I include and what I don’t.”

Though Robinson works in a different style rooted in mid-20th Century abstract expressionism, her paintings also reflect her core being. There’s an improvisatory rhythm to her lines, shapes, colors and gestures that grows out of her love of jazz.

Her work can be seen at Ann Arbor’s South University Art Fair. She mostly works on a large scale, with paintings up to 6 feet tall. Prices range from $150 to $1,200.

Related: Kresge Foundation introduces new prize for emerging artists

When Robinson was a teenager, she worked in a record store along side musicians, and one day, they played her Miles Davis’ “A Tribute to Jack Johnson,” and she was hooked.

“Abstract painting speaks the same language,” she said. “It can be free and flowing, with punches of personality. If you listen closely to musicians who are improvising, you can hear the nuances and how they play off each other.”

Robinson, who paints while listening to music, tries to bring a similar sensibility to the canvas. “There’s an immediacy to the expression,” she said. “Moving the brush, blending color and then doing a sudden bold stroke.”

Contact Mark Stryker: 313-222-6459 or mstryker@freepress.com

Abstract Moxy for Your Soul…. Strawberry Fields

abstract art, abstract painting, Jane Robinson, artist, painting, modern art

abstract art, abstract painting, Jane Robinson, artist, painting, modern art

 

Title:  Strawberry Fields, 36X36X1.5

 

Strawberry Fields Forever” is a song by the English rock band the Beatles. The song was written by John Lennon and credited to the Lennon–McCartney songwriting partnership. It was inspired by Lennon’s memories of playing in the garden of Strawberry Field, a Salvation Army children’s home near where he grew up in Liverpool.

The song was the first track recorded during the sessions for the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band (1967), and was intended for inclusion on the album. Instead, with the group under record-company pressure to release a single, it was issued in February 1967 as a double A-side with “Penny Lane“. The combination reached number two in Britain, breaking the band’s four-year run of chart-topping singles there, while “Strawberry Fields Forever” peaked at number eight on the Billboard Hot 100 in America.

Numerous music critics consider it to be one of the group’s best and most adventurous recordings. Among the breakthroughs it established in studio techniques of the time, for a single release, the track incorporates reverse-recorded instrumentation and tape loops, and was created from the editing together of two separate versions of the song – each one entirely different in tempo, mood and musical key. The song was later included on the US Magical Mystery Tour LP (although not on the British double EP package of the same name).

“Strawberry Fields Forever” is one of the defining works of the psychedelic rock genre and has been covered by many artists. The Beatles made a promotional film clip for the song that is similarly recognised for its influence in the medium of music video. The Strawberry Fields memorial in New York’s Central Park is named after the song

Neutrals & Gold Large Abstract – Surrender

abstract painting, abstract art, painting, Jane Robinson, artist
abstract painting, abstract art, painting, Jane Robinson, artist
Surrender 24X48

You might have noticed that I never sign my abstract paintings on the front.  Why?  Because I want you, the collector, to decide the orientation for your personality and your space.   I love this painting but I would probably hang is horizontally over the side board in our dining area.  But it not stay in this location forever and I might decide to hang it vertically in the hallway next year.  With the absence of a signature on the front the options belong to you.

The title of this painting was inspired by the jazz song “Surrender” by Jonathon Butler. Jonathan Kenneth Butler is a singer-songwriter and guitarist. His music is often classified as R&B, jazz fusion or worship music. Born and raised in Athlone, Cape Town, South Africa, during Apartheid, Butler started singing and playing acoustic guitar as a child.

Add some abstract moxy in your life.  #AbstractMoxy

Need Art?

Jane Robinson, artwork
Jane Robinson, artwork
Commissioned painting with fabric swatch

Need Art?  Why not commission a piece specific for your space?   While we all know that artwork does NOT need to match our sofa…we DO need art that compliments our color palette and aesthetic style.   By having a painting that is created for your specific space you add YOUR personality…abstract moxy.

Want to discuss the possibilities?  Shoot me an email at janemrobinson@comcast.net or leave a comment below.

Add some abstract luxury to your life!

Sade – Soft and Bold

Jane Robinson abstract painting

This large abstract painting was inspired by the Nigerian artist, Sade.  Her vocals are so soothing, soft and yet powerful.  This large painting is signed on the back and canvas edge so you can display horizontally or vertically in your space. $2,200.00

Helen Folasade Adu, OBE (Yoruba: Fọláṣadé Adú; born 16 January 1959), known as Sade (/ʃɑːˈd/ shah-DAY), is a British Nigerian singer, songwriter, composer, and record producer. She first achieved success in the 1980s as the frontwoman and lead vocalist of the Brit and Grammy Award-winning group Sade.

Sade has been nominated six times for the Brit Award for Best British Female.[1] In 2002, she was bestowed the Officer of the Order of the British Empire by Prince Charles at Buckingham Palace for services to music, and she dedicated her award to “all black women in England”. In 2012, Sade was listed at No. 30 on VH1‘s 100 Greatest Women In Music.

Jane Robinson abstract painting

Add Some Pizzazz to Your Home

abstract painting, artwork, painting

abstract painting, artwork, paintingWhy not add some pizzazz to your home?  When others enter your home do they see your personality?  I have been in many extravagant homes with high price tags and high end furnishings and fixtures BUT… they are so booooooring.   No personality of the homeowner can be seen.  Themselves or their designs have selected some “art prints” that might compliment their color scheme but they blend into the boring design.

Now I have also been in modest homes that celebrate their personalities.  The homes are full of sentimental items, reminders of their travels and ALWAYS have original art.  What is your home saying about you?  The new definition of luxury is not the price tag of your home, your artwork and items – it is spaces full of your personality and thoughtful items and artwork.

Be your original YOU.   Buy original art!

Thelonious Monk – “Blue Monk”

art, abstract art, modern art, Jane Robinson

 

Blue Monk” is a jazz standard written by Thelonious Monk that has become one of his most enduring tunes. First recorded for the album Thelonious Monk Trio, it is a B flat blues and is similar to the jazz tune “Pastel Blue”.

This song and Thelonious was the inspiration for this painting. Improvisational, movement, rhythm and colorful…Thelonious himself.

Thelonious Sphere Monk (October 10, 1917– February 17, 1982) was an American jazz pianist and composer. Monk had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including “‘Round Midnight,” “Blue Monk,” “Ruby, My Dear,” “In Walked Bud,” and “Well, You Needn’t”. Monk is the second-most recorded jazz composer after Duke Ellington, which is particularly remarkable as Ellington composed more than 1,000 pieces, whereas Monk wrote about 70.

His compositions and improvisations feature dissonances and angular melodic twists, and are consistent with Monk’s unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of silences and hesitations.

He was renowned for his distinctive style in suits, hats, and sunglasses. He was also noted for an idiosyncratic habit observed at times during performances: while the other musicians in the band continued playing, he would stop, stand up from the keyboard, and dance for a few moments before returning to the piano.

Monk is one of five jazz musicians to have been featured on the cover of Time, after Louis Armstrong, Dave Brubeck, and Duke Ellington, and before Wynton Marsalis.

Are you buying Art Muzak?

Jane Robinson, Art, Painting

Jane Robinson, Art, PaintingAre you buying art muzak?  You are probably scratching your head wondering what in the hell is art muzak?  Well, let me paint you a picture.  You probably know what muzak is… you know that background, generic, instrumental music piped into the elevator, waiting rooms, grocery stores, etc.  Often diluting popular music (like the Beatles) to a milk-toast, tasteless sensory experience.  Many comedy skits have an endless amount of material regarding muzak – think Saturday Night Live.

Well art muzak is the same.   You know the kind.  Generic, milk-toast, decor people (or their designers) choose for their homes.   It too dilutes art to a bland sensory experience AND art (and music) was never intended to do that.

So break out of the art muzak stupor seek out original art that speaks to your soul.  #AbstractMoxy

Marvin “Hannibal” Peterson – Abstract

Jane Robinson Abstract Art

Jane Robinson Abstract ArtHannibal Lokumbe (born Marvin Peterson on November 11, 1948 in Smithville, Texas) also known mononymously as Hannibal, is an American jazz trumpeter and composer. His album “Angels of Atlanta” was the inspiration for this large abstract (measuring 48X 36″) – One of the most ambitious works ever by Marvin Hannibal Peterson – a larger work dedicated to the 20 African-American children murdered by a serial killer in Atlanta, performed here with a mix of choral voices and jazz instrumentation!  

This painting will be exhibited in the Chicago One of a Kind Show Dec. 4th – 7th.  Stop by my gallery booth to see the mixed media of grandular nuggets, gold leaf and