Another painting created while listening to Rene Olstead. It was a rainy day and time for a full day in the studio. My habit is to play my favorite (or recently discovered) musicians with headphones to get the full effect, have a bottle of water near by and begin to paint with no idea where it will go or what the end results will be. This particular painting was created while listening to her album “Skylark” and this song in particular, “Nothing but the blame”.
When someone contacted my about creating an original painting to give his wife for their wedding anniversary I was excited about the project. This was a secret so trying to create something for their home without her input was a challenge. I asked the husband to send along photos of their home and spot he thought about hanging it. This gave me a good idea of their color scheme, design style and room layout.
He said he wanted a pop of color in the room and something his wife would be reminded of their love.
This was the end result. She loved it!
These modern abstracts were created while listening to the album “The Blues and the Abstract Truth”. It is a piece of jazz perfection with many great jazz musicians.
You might see the influence of the early 60’s jazz scene in these paintings. They will be shipped to the Martin Wood Showroom (interior design) in the Chicago Merchandise Mart. If you are interested in purchasing one or both of them please contact me. Or you can see them at my booth at the Spring One of a Kind Show in the Chicago Merchandise Mart.
Oliver Nelson Septet – Stolen Moments (1961)
Musicians: Freddie Hubbard (trumpet), Eric Dolphy (alto sax, flute), Oliver Nelson (tenor sax, arrange), George Barrow (baritone saxophone), Bill Evans (piano), Paul Chambers (bass), Roy Haynes (drums)
from the album ‘THE BLUES AND THE ABSTRACT TRUTH’ (Impulse! Records)
Title: Strawberry Fields, 36X36X1.5
“Strawberry Fields Forever” is a song by the English rock band the Beatles. The song was written by John Lennon and credited to the Lennon–McCartney songwriting partnership. It was inspired by Lennon’s memories of playing in the garden of Strawberry Field, a Salvation Army children’s home near where he grew up in Liverpool.
The song was the first track recorded during the sessions for the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band (1967), and was intended for inclusion on the album. Instead, with the group under record-company pressure to release a single, it was issued in February 1967 as a double A-side with “Penny Lane“. The combination reached number two in Britain, breaking the band’s four-year run of chart-topping singles there, while “Strawberry Fields Forever” peaked at number eight on the Billboard Hot 100 in America.
Numerous music critics consider it to be one of the group’s best and most adventurous recordings. Among the breakthroughs it established in studio techniques of the time, for a single release, the track incorporates reverse-recorded instrumentation and tape loops, and was created from the editing together of two separate versions of the song – each one entirely different in tempo, mood and musical key. The song was later included on the US Magical Mystery Tour LP (although not on the British double EP package of the same name).
“Strawberry Fields Forever” is one of the defining works of the psychedelic rock genre and has been covered by many artists. The Beatles made a promotional film clip for the song that is similarly recognised for its influence in the medium of music video. The Strawberry Fields memorial in New York’s Central Park is named after the song
You might have noticed that I never sign my abstract paintings on the front. Why? Because I want you, the collector, to decide the orientation for your personality and your space. I love this painting but I would probably hang is horizontally over the side board in our dining area. But it not stay in this location forever and I might decide to hang it vertically in the hallway next year. With the absence of a signature on the front the options belong to you.
The title of this painting was inspired by the jazz song “Surrender” by Jonathon Butler. Jonathan Kenneth Butler is a singer-songwriter and guitarist. His music is often classified as R&B, jazz fusion or worship music. Born and raised in Athlone, Cape Town, South Africa, during Apartheid, Butler started singing and playing acoustic guitar as a child.
Add some abstract moxy in your life. #AbstractMoxy
Need Art? Why not commission a piece specific for your space? While we all know that artwork does NOT need to match our sofa…we DO need art that compliments our color palette and aesthetic style. By having a painting that is created for your specific space you add YOUR personality…abstract moxy.
Want to discuss the possibilities? Shoot me an email at email@example.com or leave a comment below.
Add some abstract luxury to your life!
This large abstract painting was inspired by the Nigerian artist, Sade. Her vocals are so soothing, soft and yet powerful. This large painting is signed on the back and canvas edge so you can display horizontally or vertically in your space. $2,200.00
Helen Folasade Adu, OBE (Yoruba: Fọláṣadé Adú; born 16 January 1959), known as Sade (/ʃɑːˈdeɪ/ shah-DAY), is a British Nigerian singer, songwriter, composer, and record producer. She first achieved success in the 1980s as the frontwoman and lead vocalist of the Brit and Grammy Award-winning group Sade.
Sade has been nominated six times for the Brit Award for Best British Female. In 2002, she was bestowed the Officer of the Order of the British Empire by Prince Charles at Buckingham Palace for services to music, and she dedicated her award to “all black women in England”. In 2012, Sade was listed at No. 30 on VH1‘s 100 Greatest Women In Music.
Angetlique Kidjo’s jazzy, funky music was the inspiration for this modern abstract painting. Her music is so recognizably unique that it inspires me to march to my own drummer. The album I was listening to was “Keep on Moving” … and I will.
Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo,commonly known as Angélique Kidjo, is a Grammy Award–winning Beninoise singer-songwriter and activist, noted for her diverse musical influences and creative music videos. Time Magazine has called her “Africa’s premier diva”. The BBC has included Kidjo in its list of the African continent’s 50 most iconic figures. The Guardian has listed her as one of its Top 100 Most Inspiring Women in the World and Kidjo is the first woman to be listed among “The 40 Most Powerful Celebrities In Africa” by Forbes Magazine. The Daily Telegraph in London describes her as “The undisputed queen of African music” during the 2012 Olympic Games River of Music Festival. In March 2013, NPR, National Public Radio in America, called her “Africa’s greatest living diva”.
While working various day jobs to pay for her tuition, Kidjo studied music at the CIM, a reputable jazz school in Paris where she met and married musician and producer Jean Hebrail, with whom she has composed most of her music. She started out as a backup singer in local bands. In 1985, she became the frontsinger of the known Euro-African jazz/rock band Jasper van’t Hof’s Pili Pili. Three Pili Pili studio albums followed: Jakko (1987), Be In Two Minds (1988, produced by Marlon Klein) and Hotel Babo (1990). By the end of the 1980s, she had become one of the most popular live performers in Paris and recorded a solo album called Parakou for the Open Jazz Label.
Inspired Intoxication…Design that speaks your language.
Good design that speaks YOUR language is the new luxury. Get intoxicated with your personal style and choose original art that speaks your language. Abstract Moxy for your soul.